CONFERENCE SCHEDULE
Room: Marlborough A/B
Session 1: 9:00am - 10:30am
YOEL GREENBERG
BINARY-FORM CONCERTO AND THE EMERGENCE OF THE CLASSICAL CONCERTO
SASHA KOERBLER
TOWARDS AN INTEGRATED CADENZA: THE PROMINENT BUILDING BLOCKS OF HAYDN’S TRUMPET CONCERTO IN E-FLAT MAJOR, HOB.VIIe:1
ROBERT B. WRIGLEY
EARNESTNESS, WIT, AND ATTENTION: THE RHETORIC OF RETURN IN HAYDN’S FINALES
Break for Refreshments: 10:30am - 10:45am
Session 2: 10:45am - 12:15pm
LUCA LEVI SALA
HAYDN’S SYMPHONIES SCORED BY CLEMENTI: A NEW SOURCE OF THE LONDON SYMPHONIES
REBECCA CYPESS
THE MOTETS OF MARIANNA MARTINES AND THE PERSONA OF THE DEVOUT WOMAN ARTIST
JACOB FRIEDMAN
CONTEXTUALIZING THE CONTEMPORARY RECEPTION OF HAYDN’S KEYBOARD MUSIC